GloPoWriMo 2020: 15/30

Today’s prompt asks me to write a poem that is inspired by my favourite type of music. The good folk over at NaPoWriMo deserve a commendation for the prompts they come up with year on year. They’re always so educational in the manner they phrase the prompt – and all the resources are absolutely lovely.

Da Ba Dee

If you asked me any time till University,
What my favourite genre of music would be,
I would reply techno, or house, or electronica,
Linking you to Blue (Da Ba Dee),

It was dance music I loved while I sat, working,
They never made me dance, but they sent my brain whirring,
There was something about the consistent rhythm, the mixing, the bass,
It never felt understated, the melody shone through in your face.

Yet over the last few years, I have found,
Music is everywhere, and there are melodies abound,
All that is necessary is to search in the right place,
To ask the right people, who can put you through to analogue tunes –
Aside from things made on a digital interface.

That opened my mind up, and I’ve heard so much since then –
No longer do I have a favourite genre, but music for moods,
Whether intense, relaxed, or just zen, and
Although that has changed my preferences, if you stop and ask me,
What’s your favourite song?
I’ll still reply “Blue (Da Ba Dee)”

Sincerity

Yesterday, I wrote about how much I disliked playing catch up to all my writing, about how it made me feel insincere to something I loved so much, and loved so much about. That idea, and notion of sincerity, in my head, is something that’s been on my mind all day.

I try out several things and take on a lot of things at once. This comes out of the fact that I enjoy multitasking, and hold a genuine interest in a variety of subjects I know far too little about but am fascinated by. Coupled with my love of productivity, I end up consistently feeling like there’s this mass of information out there that I have accessed 1% of. That 99% I don’t know, I want to know, yet it feels like there’s so little time to do all of it. While not often, that feeling gets overwhelming and leads to procrastination.

I’ve half-assed several things before: by which I mean I’ve started out giving things my best, and being sincere about the effort I’ve put into things, and then either piggy-backed off others’ efforts, or dipped the amount of my own time I’ve spent on things. That is natural if I lose interest, but something I learned at University is that I ought not to take on work that ends up affecting other people, if I’m not going to follow-through on it to its completion. But I’ve half-assed personal projects too. That feels worse somehow, because I feel like I’ve let myself down by not being able to sincerely follow through on something I was so interested in and so passionate about.

This doesn’t happen frequently though. I’m usually okay with multitasking. However, it shouldn’t be happening at all. One of the things I want to improve is eliminating the possibility of giving up on an interest of mine. To do so, I think I’m going to try being a little smarter in making decisions about how to allocate my time. Most importantly, I think I need to revisit the number of personal projects I take on and prioritize them. Whenever I think of new projects, the question I’m going to ask myself first, from now onward, is going to be: where does this fit into existing priorities?

If it ranks below than an existing priority, I think I need to keep a tab on the number of things that pique my interest, and revisit that page as often as possible when I have free time. That way I think I’ll be able to explore all of my interests when I have the bandwidth to do so, but also at a time that my interest in the subject is high. In a sense, this method of decision-making, to me, is likely to counteract the ebbs and flows that come with my interests and hobbies.

It’s odd to me that I’m trying to be so systematic about something that, at it’s core, comes down to asking yourself three questions:

  1. Do you like it?
  2. Do you want to do it?
  3. Do you have the time to do it?

But those questions seem like they aren’t enough for me anymore, since the decisions I make seem to not account for how sincere I can be while doing things – although the third question is meant to.

Not anymore. I hope I can be successful with this. At the very least, I hope to be able to be more sincere in all the endeavours I take on – so they’re equal in terms of how much of myself I give to the activity.

GloPoWriMo 2020: 14/30

Today’s prompt is fascinating. It offers a chance to write about what inspires me to write poetry. My own inspiration comes from two things. The first is my primary school: where poetry recitation was compulsory, earned you merit cards, and was a very fun activity. The second is my mother, who enjoys things that rhyme and trained me for all those poetry recitations by making me memorize verses. They came in handy through my Grade 10 English Literature examinations. I’ve been inspired, quite literally, by all the verse I’ve been exposed to since I was very, very young, and I’m very fortunate to be in that position. Writing this poem is therefore slightly tricky, but I hope to showcase my personal narrative as best I can.

Verse

Ms. Tandon, in Grade 3, chose the poem,
Homework, Oh Homework!, to recite at our Assembly,
I was in love, instantly,
“I hate you, you stink!” was my rebellion of the times, particularly given that
I could not draw a Fish, as expected of us for Science.

In Grade 6, Ms. Kotian introduced me to Leisure
Following it up with some Wordsworth,
In Grade 8, I refused to study Geography, and
Ms. Dasgupta and Ms. Narayan introduced me to
Pied Beauty, Pike, and A Different History.

In Grades 11 and 12, when I missed studying Literature,
My mother drew me aside,
She found a book of handwritten poems,
Filled with rhyming couplets inside.

They tickled me pink and brought a smile to my face,
A rhyme scheme of abab – my mother was a poetry ace.

In March this year I discovered Rumi,
In a way significant to my life –
Shams-i-Tabrizi, Ghalib, and he,
Mahadevi Verma, and Bahinabai Chaudhari.

All of these inspire me,
Collectively, yet
Independently,
As I sit rattling away keystrokes to
Write free verse,
Every April.

Playing Catch-Up

Over the past three years, writing has become an integral part of my life. Days feel incomplete without it, because it feels like I have failed to articulate or structure, or really do anything with my day. On days that I write, even if I’ve spent the entire day on RuneScape, or watching Netflix, I feel accomplished, instead of looking at the time that seems to have flown past with terrible graphics and a lot of nostalgia. However, like I’ve mentioned on this blog before, I procrastinate from time to time. Last week was just one of those weeks, where every day, writing seemed like a struggle.

I didn’t even realize a whole week had gone past. A combination of the lockdown and a lack of effectively implemented deadlines (or strictly implemented, rather), has meant that my only actual realization of how long it has been. It’s been close to a month since the lockdown began – and to this date, it has now been one month since my last University in-person lecture took place.

I didn’t write for close to a week. Then I decided it was time to write, that my lethargy really could not, and should not, last any longer. Today was the day I played catch-up with myself. Honestly, the way I saw it was that I could have ignored all the writing I missed. It would not have affected anybody at all – particularly because I don’t think too many people read this blog religiously anyway. For me though, taking that easy route out would have represented giving into the challenging times this lockdown has placed me in. You see, for me, working and consistently doing things – being on the move, so to speak, gives me the most joy. I can sit still and quiet down when I need to, but I thrive more, in terms of happiness, when I have the opportunity to express myself.

I’m privileged to be safe and healthy at present. I need to keep expressing myself for my own mental health at this point, because otherwise I will give into the fact that my hobbies cannot replace traditional notions of work. That is untrue, fundamentally, because my hobbies are enough to keep me going. Writing everyday serves as a reminder of that.

Writing today, I’m determined not to play catch-up ever again because it makes me feel insincere to this craft I am trying to doggedly pursue and perfect.

Plus, honestly, writing more than these posts a day is quite exhausting. There’s no need to do so much in one day when you can consistently do a little each day.

GloPoWriMo 2020: 13/30

Today’s poem challenges me to write a non-apology for something I stole. Of course, this is a good way for the kind folk at NaPoWriMo to keep tabs on all of the things people steal. Here is mine:

Lonely as a Cloud

Dear Mr. Wordsworth,
I hope this letter finds you well – and safe,
May these times grant you rest, and peace,
From your weary state,
I write to you to inform you I have taken the wonderful verse you’ve written –
“I Wandered Lonely As A Cloud”,
And converted it to poetry of my own.
I will not be sending you any money in royalties,
For you are past copyright, good sire, and
Even if protected, this is a personal, non-commercial use,
You may read my verses, they aren’t half as
Lyrical as yours,
I do think you’ll enjoy them,
Particularly when on your couch you lie,
In vacant or pensive mood,
These are no daffodils,
But the laughter may cure your solitude.
I seem to have done it again, William,
I hope you’ll forgive me –
It was never my intention,
Now, however, we are contemporaries.

GloPoWriMo 2020: 12/30

Today’s challenge is to write a triolet. The triolet is a short poem of eight lines with only two rhymes used throughout. The requirements of this fixed form are straightforward: the first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; and only the first two end-words are used to complete the tight rhyme scheme. Thus, the poet writes only five original lines, giving the triolet a deceptively simple appearance: ABaAabAB, where capital letters indicate repeated lines.

Naps

So short-lived, so fleeting,
Instant, and slow
My mind turns, dreamlands offer a greeting,
So short-lived, so fleeting,
Into a higher world, my body, retreating,
Of happiness, this feels apropos,
So short-lived, so fleeting,
Instant, and slow

 

GloPoWriMo 2020: 11/30

I love today’s prompt. It takes inspiration from the language of flowers, and even gives me the freedom to consider making up my own meanings.

Flowers 

Every Valentines’ Day, my father buys a bouquet of flowers for my mother,
They’re always bright and colourful,
Hues of yellow, orange, and pink,
It is clear he understands romance,
Is trained in floriography, for he buys flowers that clearly communicate
Affection,
If you ask me to buy you plants, or flowers,
I am not sure I will make a sprightly, colourful bouquet,
Instead,
I will buy you a solitary cactus,
It is low-maintenance, so will bear with your memory,
It will remind you to drink water regularly,
More importantly,
It will endure,
As Shams Tabrizi said,
I hope it gives you the patience to look at the thorn,
And see the rose, for
That is what I see in myself, and see in you.

GloPoWriMo 2020: 10/30

Today’s prompt is short and sweet. When I did GloPoWriMo in 2017, the first year I tried my hand at writing poetry properly, I used haikus as an escape from the routine. Short poems that completed prompts without too much effort. This was also because I had a very strict “no-editing” policy on the blog, a result of which was that I spilt out whatever word spilt out from my brain, irrespective of what they ended up sounding like on paper. It felt easy, but sincerely, it always felt like the lazy way out – when I didn’t feel particularly inspired. Today though, asks me to write a Haynaku – a variant of the haiku, where the poem’s stanzas has three lines: first one with one word, second with two words, and third with three words.

Solitude

Solitude,
Is confused
loneliness, without burdens.

GloPoWriMo 2020: 9/30

Today’s prompt asks me to write a “concrete” poem – one that takes the shape of the thing that inspires it. I’m not fully sure how to do this just with my words, but I shall attempt this nonetheless. Of course, forgive the lack of title.

I cannot
Place my finger on when mammals became
Cold-blooded reptiles
But somewhere it seems that Nokia game afflicted us all, since, while it provided us entertainment, it also gave us the
Simile, Slimy, like a
Snake

 

 

GloPoWriMo 2020: 7/30

I’ve enjoyed thinking about today’s prompt, which challenges me to write a poem based on a news article. I picked this one: A Man Fell Into An Art Installation Called Descent Into Limbo

Descent Into Limbo

Have you read Holes?
The Camp Counselor says pits build character,
And although by accident, and extremely painful,
My descent into limbo – a step into the unknown,
Into vantablack, where a luminous source was Godsend, and
Earth and Heaven melded into one: the great Above,
Built character indeed.

It was a few minutes, but the pit worked its ways and
My privilege felt like a burden that was too much to bear for
I am an art lover with
The means to enjoy art,
To whom this is but a void,
To everyone oppressed, whose voices are suppressed,
This is their
Daily existence,
Their limbo

And they do not descend into it –
They are
Born into it,
Yet those in power make
Them dig,
And dig,
And dig,
Till all that is left in the void is
Silence.

Rediscovering Runescape

I’ve waxed lyrical about Runescape several times on the blog. This is one such post.

This evening, while catching up with my high school friends, one of them mentioned that he had started up playing Old School RuneScape again. In an instant, I told him I had an active account, and we set up within 10 minutes to play together again. In an hour, we had convinced the other member of our little trio to set up his own account and join us in the same world.

For 2 hours, we did nothing but mercilessly combat goblins. As we each combated goblins, we traded information about our statistics, all got banned from trading items, and repeated a mindless cycle of, find goblin, attack goblin, take coins, take bones, bury bones. All the while, we explained things to our third friend – since he was new to the game, and planned out what adventures we’d go on, including Quests, the next time we all played together (in my mind, this is likely to be tomorrow).

This was an extremely, extremely, mindless activity. I did 0 application of brain, and my mouse pretty much did everything for me. I had an audiobook of Lord of the Rings going in the background, which I thought was perfect company for a game like RuneScape generally, since there are so many fan theories about how Middle Earth and RuneScape intersect – particularly in terms of their timeline. However, the activity itself used 0 brain cells or creativity of mine, especially since it wasn’t as dynamic as say, smithing, mining, or even woodcutting and fishing.

Speaking of, as a quick aside, it is worth mentioning how I sold my parents on the idea of the game aged 7. I informed my parents, while signing up to the website, and while playing, that I learned essential survival skills in the game. For the most part, this remains true. I incorporated words like “tinderbox” into my vocabulary the first time I played the game.

Turning back to playing RuneScape itself. When I played it through October and November, I played alone. None of my friends were playing at the time, so while there was a lot of nostalgia involved in the activity itself, and rediscovering all the information I had stored in the treasure trove that is my brain, none of it was shared. That absence left a void in me, and prevented the access of a very important, associated RuneScape memory.

You see, RuneScape is an MMORPG. A Massively Multiplayer Online Role Playing Game. A large part of what attracts people to it, and makes it a success, is/was it’s ability to share the experience with friends. I spent hours playing with friends who I went to school with, who stayed in the same building in which I did – and that was a very important part of the game. In front of my friends, I consistently felt like a noob, because with my internet restrictions at the time, I hardly had the ability to devote myself to the game in the manner they did. Nonetheless, there were evenings where we logged on at the same time and I learned things about the game from them, and even once where I remember spending an entire evening watching two of them play and access Member-Only features, since they were Members.

Playing with these two today opened up all of that for me, and I’m looking forward to accessing the Multilplayer components of the game with my friends.

I’ve convinced a friend from primary school – my best friend, to get back to the game too. Hopefully he follows through.

My days will lose all structure then.

Gated (II)

The previous piece I wrote about the gated community I lived in was exclusively about the kind of privilege and protection this place offered me – aside from the obvious shelter it has given me for the last 12 years. I’ve now been here for three weeks. Since I moved out of Bangalore for University in 2015, this is the longest amount of time I’ve spent in my house barring one month in May 2017, which, despite the lockdown and everything, offers some time to think about how much time has actually passed since I’ve come here.

This is the only “home” I’ve known in India. Of course, there’s the family house, and well, the first house I visited in Bangalore where my dad resided, and places in Pune where family stays. However, none of those places are where I have grown up, or places where I have space all to my own. Actually, I’ll amend that. I do have space all to my own at my chikamma and uncle’s home – and I’ve laid down a marker for a future space all to my own wherever they are at all times. However, those places will not hold the emotional attachment I share to this house, even when its empty. Even when I return home to an empty house, and I have to maintain all of it, I consider having it a privilege, and I am oh so grateful for everything it has given me.

It is very difficult to think that 12 years have transpired since we relocated to India as a family. In several ways, both geographically, and emotionally, a small piece of my heart rests in the Middle East. Despite that, I have grown to love India with everything I can give to it, and love Bangalore especially. I have forged strong senses of identity here, for my city, my State, and my rural, outskirt, suburb, which is closer to another town than it is to Bangalore City proper.

None of this identity, or sense of belonging would be possible without a sense of community. I spent the first 10 years of my life in an apartment building, with several friends, but no real sense of community because “community gatherings” and celebrations, so to speak, didn’t necessarily take place in a manner that involved everyone in the building. Of course we played games and hung out with a large number of kids in the evenings, and naturally, sharing common spaces bred some amount of familiarity, I do not recall being able to identify very strongly with the values of the people in that building. It is a given that I was younger then, but that doesn’t take away from the fact that nothing really aimed to foster a community spirit. My sense of belonging to that building comes out of the infrastructure it has and the memories I created, as well as my parents and the fondest memories I have of the both of them from our time in that place.

Moving to India was very different to that experience. We lived in a larger community, which meant more people to share space with. When we first moved in, I recall there being 30 families – and a lot of empty houses. That meant you knew everyone in the complex. You knew which houses and lanes were unoccupied and were free-for-all cricket territory. That knowledge and familiarity bred so much security, and so much joy. You had a constant set of friends, and a constant set of activities to do. Age-groups were non-existent: we were all just one big blob, classified as “children”. Of course, those below 6/7 kept to themselves at the time, but the rest of us, right up to the eldest at 17 and 18 – we all pretty much played in the evenings together.

The community grew larger though, and as communities grow, identities change. This was no different, and groupism became prominent – everywhere. It wasn’t as easy to identify every person, because people came in and people moved out. The place was in flux – and still is, to this day. However, assimilation and understanding, or retaining that identity, for the most part, was easy. It was just a question of compromise. From the mundane: which sport to play in the evening, to the larger questions that adults fought over – a lot of it just boiled down to compromises being crafted.

Today, to me, I hardly recognize much in the community. In my mind, oddly enough, I’m able to live in the time that this community was just 30-50 families. They form this core that I believe the rest of the complex has grown around. It is natural that newer families will not feel this way – and after all, everyone has their personal history, but I remember those 30-50 families with a fondness that feels odd to extend to anyone else. This doesn’t mean I’m hostile toward anyone, not at all. But nobody knows the struggles of having to wait for the railway crossing to open up, or the pain of going 8km to get groceries like that first bunch.

In the past 12 years, as is natural, people have grown and changed. Take me – for example. I’m almost done with my degree. I came here aged 10, and I’m sure people who knew me at that age struggle with reconciling the image of me at 10 with me at 22. Even if people don’t, I do. I looked – and sounded, so different. For me though, it’s the kids I saw aged 2 and 3 who are now in their teens that make it seem like I’m far too old to consider myself a child. It’s rather odd, that these are people who in my teens I could not relate to at all, but with whose struggles I can now relate to far more than much else. For me, a mystery of the Universe will always remain why it’s tougher for a 12 year old to relate to a 5 year than for a 22 year old to relate to a 15 year old.

My hunch? Board exams.

Common enemies unite even the most distant of cousins – and so it goes with all people.

My identity though is so forged by this community, that seeing these little people grow up to become bigger people has really punched home that hard reality that I am, myself, a little person who has grown up to become a bigger person. My surroundings clamour that I ought to accept this – it is but natural. The little kid in me refuses, but relents. He cycles around cheerily with a half-functioning bell and waves to everyone he knows.

Unlike the adult who thinks four times about whether a walk to the gate is worth it.