Intriguing Shadow Realms | Nine Princes in Amber (The Chronicles of Amber #1), by Roger Zelazny

Nine Princes in Amber (The Chronicles of Amber #1)
by Roger Zelazny
Published by Avon (1986)
Rating: ****

Introduction

The thing about finding genres of books that you prefer reading is that you’re able to locate books in the genre a lot quicker. Since I properly began reading science-fiction and fantasy books (in that I took my reading of the genre a little more seriously), I’ve been trying to tick off the classics – the books people recommend as foundational texts that have introduced new dimensions of storytelling, or pushed the boundaries of the genre. Zelazny’s Amber Chronicles series was one of these, recommended to me because I enjoy worlds that have complex, but complete and intricate magic systems. It was also recommended because I enjoyed reading Brandon Sanderson.

Plot 

Carl Corey wakes in a medical clinic, with little to no knowledge of who he is or how he got there. He finds the manager of the clinic, and learns that he was recovering from a car accident in a private clinic, paid for by his sister, Evelyn Flaumel. Fleeing from the clinic, he heads to her house. That is where he discovers his identity, as Corwin. He hides his lack of memory from her – and everyone he comes into contact with, discovering his family and his relationships which each of them.

As one of his brothers, Random, makes contact with him, he decides to try to seize the throne of Amber, which is currently held by his brother Eric. Thus begin his adventure across the shadow realms, mixing reality and fantasy.

Amnesia as a plot device

Personally, one of the best creative decisions I’ve come across in recent times is Zelazny’s decision to give his character amnesia. Amnesia is a curious, painful thing: with the loss of memory is the loss of identity, and the desire to build oneself up is evident right from the start of the book when Corwin chooses to flee from the hospital because he feels unsafe over there. Additionally, amnesia adds layers of complexity to the plot. Aside from Corwin’s concealment of his condition throughout the book – which has a huge impact on the way he behaves with others (compared to what he actually wishes to ask), it allows for the reader to be introduced to Amber and the Machiavellian family that seems to rule it along with the protagonist. Corwin is learning these things almost for the first time, and so are we. This allows for a natural introduction of detail, a natural world-building, where no amount of description feels too dreary since Corwin needs to know all the information to help him make better decisions.

Pacing

Zelazny uses few words to communicate intricate plot depths. The pacing in this book is incredible, and I found myself exhausted after reading it because so much happened in just over 150 pages. I speak, and write, in very long sentences, with a lot of commas. Zelazny uses short sentences – crisp, and to the point, achieving his ends with what feels like minimal effort.

Conclusions

Quite honestly, Amber’s construction is extremely complicated – and for a while, I was not sure whether Corwin was in the real Amber or not. The discussion of shadow realms makes it even more complex. However, that’s what has me intrigued, and I’m also eager to see what happens next in this family. It’s why I hope to be reading the whole series.

Spidey Sense | Children of Time, by Adrian Tchaikovsky

Children of Time (Children of Time #1)
by Adrian Tchaikovsky,
Published by PanMacmillan (2015)
Rating:
****

Introduction

In 2016, this book seems to have set the Science Fiction world alight. My discovery of the book was only in late 2019, and this was my first read in 2020, which was quite a nice way to start off the year. What intrigued me the most when I found the book on Goodreads was the fact that the author’s last name was Tchaikovsky, and for a while, I thought there was a connection with the famous composer. Turns out there is none. Then I discovered that the author was a legal executive – and the commonality in profession and vocation perhaps drew me to the book even more. This was a solid read, and I’d gladly recommend this as an excellent starter book for those curious about themes that you will meet frequently in Science Fiction/Fantasy writing.

Plot

An experiment seeks to uplift monkeys to sentient levels through an engineered nanovirus, in order to place them on a habitable planet. Unfortunately though, that project is tampered with, and all the subject monkeys are killed. Nonetheless, the nanovirus is transported to the intended planet, infecting several species of insects. Spiders end up becoming the chief beneficiaries as a result of this “botched” experiment. Thus begins one prominent narrative throughout the book, which explores spiders as rulers of their planet – looking at the kind of society they set up. The second, interconnected narrative is a group of humans fleeing from Earth, now destroyed by a final world war – who end up finding the spider-race planet. Thus begins an intermingling of worlds.

History 

Over the past few years, I have noticed that the Science Fiction/Fantasy books that I enjoy indulging in the most are books which have elaborate histories constructed for the world they seek to establish. This, for me, enables a greater contextual understanding of the issues that the book seeks to deal with, and allows me to immerse myself in the world that the writer envisages with more ease. With this genre particularly, there needs to be an element of relatability for me – a fine tightrope between creating a distinct world and actually allowing for some elements to continue uninterrupted from the world we know. History does this best. Tchaikovsky accomplishes this wonderfully. Aside from all the chapters aboard the ship fleeing Earth, Gilgamesh, Tchaikovsky weaves the history of compelling spiders like Portia, looking at how her species develops language, understands rules to live by, and develops culture to pass down through their civilization. It’s amazing.

What’s even more remarkable is the fact that Tchaikovsky weaves what is clearly an inter-generational saga into a singular, mammoth book, without losing track of the key plot points he seeks to elucidate. That takes a fair amount of foresight, and inspired writing. For me, only one other author has managed that successfully, and perhaps that speaks to how recently I’ve discovered how much I enjoy this genre, but that’s Cixin Liu.

 Conclusion

This book is a great introduction to science-fiction/fantasy because it establishes a planet afresh, and perhaps gives the nicest overview of the kind of dilemmas the genre seeks to engage with.