Four Months On: Learning the Guitar

In April, I wrote about beginning to learn the guitar through daily lessons with my best friend. In the past four months, the longest gap between lessons has been three days. Earlier this week, he flew back home, and we relived that gap of three days without speaking to each other. That break gave me an opportunity to think about where the last four months have gone musically, and all the things we’ve covered since.

My best friend and I messaged each other on WhatsApp fortnightly across my five years of law school. We never really spoke much over the phone, but the pandemic changed all that, and we’ve been speaking every day. Aside from the amount I’ve learned from him, the thing I’m most grateful for is the conversation we have each day. In a very strange way, the world placed us both in similar circumstances for a short duration – both away from our parents, desirous but unable to travel back home, figuring out living alone in these times. Daily conversation provided insight into who we were as human beings, and after 12 years living away from each other, it appears as though not much has changed between us at all. We’re both pretty much still peas in a pod, insofar as we struggled for about a week, recognized the need to develop a routine, and then set about creating that out for ourselves. It’s been a lovely reaffirmation of something I knew about our friendship already.

Turning now to the guitar, or broadly, musically.

The last four months have been really transformative. I started with the guitar just knowing I wanted to be able to strum along to songs I like listening on the radio, went through a phase – and a realization, that I could leverage the classical music I have learned to learn classical guitar as well, and finally, have reached a point where I just want to enjoy the instrument and continue to learn daily. Through all of this, my best friend, and teacher, has been the most supportive guide I could have asked for. At no point did he think I was grasping at straws beyond my reach. There have been points I’ve been over-ambitious, I think, but we’ve figured out how much time it takes me to learn a new skill with the amount of practice I put in, and we’ve amended expectations accordingly.

He’s also been incredibly patient with mistakes I’ve made and expressions of my thoughts about the instrument. We’ve approached lessons with the idea that I should be enjoying/playing songs all the time to learn more, and as a result, I’ve always been working on learning songs alongside the technical side of things.

The trip he took back home gave me the opportunity to sit and learn songs that I could perform for him, and this afternoon, I played a full song – with some out-of-tune singing, for the first time for him. It wasn’t too shabby, I was pretty thrilled, and more than anything else, for me – it was a really nice opportunity to look back at what we’ve accomplished over the last couple of months together. The song I sang, Kabhi Kabhi Aditi, has this wonderful line that says, gaana toh aata nahi hai magar phir be hum gaate hain”, which is basically, “I don’t know how to sing, but I sing anyway”, and that’s pretty much how I felt throughout.

Over the last month, what I’ve enjoyed the most is that the focus in our teaching-learning has moved onto the theory side of things. We’re covering scales and more chords now, and talking about more music theory, which has coincided with my own preparation for higher music theory grades.

On the piano side of things, I’m reasonably comfortable with what I’ve done in the last couple of months. Slowly but surely, I’m working towards a repertoire that will help a music teacher identify where I’m at in my piano journey, so when I’m in a single place for a long amount of time, I’ll be able to pick up from that level. One day I will give those examinations as well. I’ve been working on sight-reading a lot, and listening to classical music along with the orchestral scores, just to better understand how much is going on in a piece. It’s been very, very rewarding.

I can’t wait to see where I go with music next, and a lot of it is down to how much joy my best friend has managed to bring to me by making it seem effortless, enjoyable, and not something to be stressed out about at all.


The Theory of Music: A Personal Arc (II)

In the first part of this personal arc, I basically explored what theory of music had become for me at the time: a personal project – something to set my mind to. I wrote that post in the first week of March, having just completed my ABRSM Grade 5 Music Theory exam – at a point where I didn’t worry too much about the result at all. Truth be told, I frankly didn’t think about the results past that first week. Too much has happened in the world generally, and to me, personally, since. The events of that week, and of that day feel like a blur in my memory, since most of my time went in preparing.

My results came in this morning, and I was elated to discover I had passed.

I was thrilled. Of course, some portion of this joy came out of passing the exam and not having to think about that Grade anymore. A larger portion, however, stemmed out of the fact that I had accomplished these results by self-studying. Mind you, these are not excellent results – I achieved a Pass. However, the satisfaction of seeing my own effort bear fruit and reflect well according to the yardstick to which I prepared is not something I’ve experienced to often before. Large swathes of material have been taught to me, or I’ve been fortunate to have good teachers for. With the ABRSM exam, I had access to the same resources everyone preparing for the examination did: the standard examination content. It felt nice to look at today’s result, and say – hey, I did that!

About 15 minutes in, after telling my parents, I had some time to step away from things and look at these results a little more carefully. Yes, I had done that. I had actually put in the effort to prepare according to the curriculum designed, and actually learn everything I was interested in learning for the exam. It was uncanny, therefore, to think about the role the Universe had played in all of this. What prompted me to look up music theory, when I was at home in December – when I could have chosen any project at all? How great was it that an exam was available in March, giving me precisely the right window of opportunity to prepare? How fortuitous was I to be able to study for that exam – and write it, exactly 7 days before the number of coronavirus cases in India began to rise?

I looked at the results a little differently. They felt blessed – like some conspiracy had worked in my favour, and I felt more grateful – not just for all of this, but for the background I had in classical music that allowed me to tap into a reservoir of knowledge while preparing for the examination. For the network that enabled me to ask my friends doubts where I had them, and for the means to afford the preparatory material and the examination itself.

When I looked beyond the results, I thought about how much this examination gave me. It gave me a chance to study and drive myself toward an objective of mine, and an opportunity to rediscover classical music in a way I had only shallow knowledge of before. I am no expert on theory today, but I loved learning all the information I picked up during the examination, and I’m eager to see how much more I can learn. It rekindled and reactivated a part of my brain I had put to ‘sleep’ mode for 6 years, since Grade 11 and my antics on FL Studio.

Aside from all of this, it got me to think closely about why I gravitated toward theory. Why does theory fascinate me? Why do I enjoy studying theory? Of course, the easy answer lay bare in front of me – these were the only examinations I was confident of preparing for without guidance. Other optional answers also felt easily accessible – that the theory examination is a prerequisite to the practical examinations with the ABRSM at higher grades, and that they help with a holistic understanding of the music we are training to play, and all sorts of things.

My love affair with the theory of music, however, pointed me to something very fundamental about the way I approach things. I thought back to Grade 11, and why I struggled with Physics the first time around. The theoretical foundations we had built in the subject at the IGCSE were toppled on their heads, and with poor guidance, coping with that change felt seismic. I thought back to things like fractions: the easy stuff that people understood in Mathematics because they could envision fractions as practical problems, but I found ridiculously difficult because they felt so abstract. I struggle with videogames that don’t have explanations for actions: which is why I couldn’t play Ratchet & Clank well, ever, but I could play Runescape reasonably okay.

It pointed me to how I prefer understanding and studying things – from the ground-up. Theoretical information somehow feels like it brings a sense of order and stability to the practical. Even if as an afterthought, or an aberration that helps to elucidate a creative passion, the theory underlying artistic license fascinates me because it suggests that things in this world as explicable. That fundamentally appeals to me, and the fact that there is a dynamism to this explanation owing to varying perspectives and schools is something I find most enjoyable.

So yes, I passed my theory of music exam, and the theory of music has become a part of my daily life. Along the way though, I had the chance to think about theories generally – and I liked that very much too.

The Theory of Music: A Personal Arc

When things go south, I find solace in work. I do always think about things – I think long and hard, and I think things through. I’m a compulsive overthinker. It is my hamartia, I’m aware of that. Work consoles me. It gives me the opportunity to shut my brain away from the thinking when it’s counterproductive. It allows me to shut out the outside world and concentrate wholly on efforts that are entirely within my sphere of control to try to achieve ends I’m searching for. It gives me space to think about other things for some time before I go back to thinking about everything else. When things weren’t going well for me because of my actions at the end of 2019, I went home and after some time, decided to try to find things to put my mind to.

My history with music is documented too much on this blog. Quick recap: went to lessons, dropped out of lessons, posted stuff on Soundcloud, stopped playing for a while, resumed lessons now.

When I started studying music, my teacher made me study music theory – to prepare me for exams from the board that I was learning from at the time. I didn’t enjoy it. Especially Grade 1. I sort of knew most of it, so it never felt like I was learning anything new at all. At that age, I struggled to see how the knowledge contributed to my ability to understand music or my playing in any manner. There was also a large amount of homework to do each week, which didn’t materially help my levels of satisfaction. Grade 2 was a little better but we stopped midway through because my practical examinations needed a lot more in terms of my time and attention given that I was skipping Grades. Getting older has given me some maturity in terms of appreciating holistic knowledge. I enjoy knowing things to the most complete point I am capable of, and searching for gaps in my knowledge to plug them in with information. It feels like continuous improvement that I can materially see, and it gives me an enormous amount of satisfaction.

So when, in winter, I resolved to relearn my piano playing, I decided not to half-ass it this time. I committed to going to lessons properly. I wanted to learn how to read music again, because it’s a skill that’s equally as fascinating as being able to understand how to play music by ear. I also have come to realize that music, and most pieces of education aren’t things you can separate from each other. As you study portions of things, you sort of build overlapping competencies that help you along the way. I’ll explain and illustrate with two examples.

  1. The Musical Example: Learning scales and playing scales repeatedly. While useful in their own right, and a component of most examinations, playing scales repeatedly and perfecting them can get boring. Then you leave lessons and you’re trying to figure out pieces by ear – as you hear them. It’s easier to identify your keys and the key the song is in because you know what the scales sound like, note to note, and what notes are in the scale and out of the scale. It’s easier to identify progressions because you understand the tone and pitch any given key produces. If you didn’t play scales, I doubt you’d figure that out as easily.
  2. The Non-Musical Example: Studying the multiplication of fractions is extremely frustrating because it is difficult to see any practical use to when you will have to multiply fractions in your life. It is reasonable that you will come across some circumstance where you multiply fractions with whole numbers (here are three halves of a cake, how many whole cakes can we make?, for example), but fractions being multiplied against each other seems slightly less realistic. It’s, however, close to impossible to engage with calculus without being good with this skill. I learned this the hard way in Grade 11 and was reminded of one very bad evening in Grade 7 where my father and mother berated me for not knowing how to multiply fractions the day before my Math exam (after studying it for the whole year), and then taught the skill to me painfully well.

There are several other examples which prove this. For me, given the purpose with which I was starting (restarting) the piano studies, it felt difficult to ignore the theory aspects. I couldn’t put myself through lessons and I really wanted a challenge, so in December, I decided to self-study for the Music Theory Grade 5 examination. This was quite a stretch, given that I had only ever looked at the material for Grade 1 and 2 before. However, given that I was older, and that I had the time, and the fact that Grade 5, at least with the ABRSM is a precondition to attempting the higher Grades of any practical examinations, I was really motivated to give this a good shot.

If anyone’s attempting this, please visit this reddit link which is a question I asked about self-studying through to Grade 5 and some community answers which helped me prioritize my studying. Here’s the reddit link.

Over the past 2 months, I’ve been studying for a solid two hours each day, apart from lean patches and weekends I’ve taken off, and it’s been the most fulfilling journey imaginable. Last evening though, I got really scared. The exam was this morning and my usual fear of failing an examination came through in all its force. Of course, I turned to my dad. My dad reminded me I had done all of this for hobby purposes. He also wisely informed me there was no consequence to failing this exam. Truly, nothing. The exam and achieving the Grade would be a great affirmation of the studying I had done, but nothing prohibited a retake, and nothing took away from the kind of knowledge I gained – which was why I started this entire journey in the first place. I wanted to understand my classical music better, I wanted to know what went behind what composers think through and why some things sound better than others. That took the load off.

This morning, I basically told myself I just wanted to enjoy the exam. I walked out two hours later having had the happiest two hours I’ve had in a while, because I could figure out the questions. I understood the language they were written in, and the phrases they used – which meant that my studying had served its purpose. I read through some music and read through some more and imagined what it sounded like, which checked another box in my head. Of course, I answered 7 music theory questions, which was incredibly satisfying and fulfilling in its own right.

I don’t know if I’ll pass or not. I haven’t thought about it. There is a chance I will fail. I’m not worried. For the first time in my life, I’m actually not mortified at the thought of failing this exam. I’ll be disappointed if I fail, yes, but I’m not looking at this in terms of life and death, which is often how I’ve viewed exams.

This evening, after finishing up my work for the day, I started figuring out how to study for Grade 6, Grade 7 and Grade 8. I’ll work my way up through the material, and one day, give that Grade 8 exam. I’m looking forward to learning new things in music theory that felt intuitive but I couldn’t place my finger on (apparently that’s what the higher Grades are like).

I’m also considering working through the material from other boards – just to get a better-rounded view of this music theory business. It excites me. I’m very pleased that I took the decision to study all of this in December. It’s brought me closer to an art I knew I lost when I stopped my lessons – and it’s made me feel an incredible sense of attachment to a subject I felt (and feel) a large sense of imposter syndrome about.

Someone I knew once told me I was a passionfruit because I got incredibly passionate about the projects I took up. This feels like an adequate representation of that.